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Ron Fricke's latest tone poem, Samsara , takes its name from a concept shared among Indian religions pertaining to life, death and rebir...

For the first five minutes of The Arbor , I assumed that one of the two actresses appearing on-screen was the subject of the movie, Andrea D...

I don't know that a weak documentary could be made about the White Stripes. It Might Get Loud , which boasted the presence of a certifia...

Forough Farrokhzad, generally regarded as the greatest Persian poet of the 20th century, made her first film in 1963. It proved her last; sh...

Some Kind of Monster is one of my favorite documentaries of all time. That so many Metallica fans hate it, hate it , only cements its impac...

The question of whether Exit Through the Gift Shop is nothing more than street artist Banksy's double-bluff, as with all such matters, ...

It's a shame that my generation's knowledge of Joan Rivers generally extends no further than her involvement with red carpet shows -...

On the surface, Until the Light Takes Us seems a film tailor-made for people like me: curious about the Norwegian black metal scene that ca...

D.A. Pennebaker, having already followed Bob Dylan through the artist's whirlwind reinvention (complete with Dylan's ironic take on ...